250 Royalty-Free Audio Tracks for "Low To High"

This is one of my favorite sounds to open my live sets with and is featured in my track water's bomb, as well as in the intro to the digital juggernauts album, "giant killer robots. " to make it, you use a sample of a plane flying over, i used a 707, and a djm-500's pitch shifter fx. As the sample gets longer, turn the pitch to the high end, then to the low end. Hope you all love and use this sound!.

Https://www. Youtube. Com/channel/ucneirnarxcfnpvwzlwg2pzg. 지진 소리를 만들어봤습니다. ----------------------------------------------------------------------------------you can use the sound freely ( i made it )if you interest my sounds, please visiting my youtube channel!!!--------------------------------------------------------------------------------. 누구나 쓸수 있는 무료음원입니다. 사운드가 도움이 되셨다면,저희 유투브 채널 한번 방문 와주시면 감사하겠습니다 ^^. 무료효과음, 무료bgm 꾸준히 업로드 하고 있으니 제 채널 한번 보고 가세요!!감사합니다.

Recording of a plastic grid which resembles plastic sounding gears. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This is the sound of cold winter wind finding its way through the gaps in our living room window. The recording has been edited to remove long stretches of silence, and has had some light noise reduction applied. The noise floor is still quite high though, so maybe best to put this one fairly low in the mix. Recorded using a zoom h2 with its rear mics activated.

Recording of rain in a small town with some thunder, cars and birds. Plane passing by in the sky. Recorded with sound devices mix-pre-6 ii and two mxl 603s mogami custom mics in din stereo. Recorded in 192khz/32bit. Post editing with rx8: low/high cut with eq to reduce rumble and noise, also gain increased and cut to length. Converted to 320kbps/cbr mp3.

Recording of me playing video games on my xbox controller. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

These short files are random selections from a 9min composite audio file i put together from an accidental recording made when i left my sony camcorder on in my studio. They are part of the same series posted elsewhere on thefreesoundproject site titled "accidental recordist". There is some hiss/background noise which is part of the street front urban scene of my studio. There are two chimes - one low pitch constructed of four aluminium tubes and wooden clapper (gift) and the high pitch one of small stainless steel discs (purchased in maui from craft shop). I did some basic cleanup of low level background noise and applied plus one level of loudness using adobe soundbooth cs3 to get some clarity.

A recording of a high school class. Students were working on a sound effects project on computers, but generally allowed to talk as they worked. This is maybe 18 students, with the mic about 10 feet away from the nearest student, mic towards one side of the room, pointed towards the middle. We also have ac on, and an av cart that has a fan on, plus a wall clock, some of which you may not be able to hear over the students. Mic was the zoom h1 set to record a wav file, record level manual, low pass filter engaged, with the quality settings at the highest values. It was then put through audacity to amplify it to the highest allowable levels without distorting, and spit out as a wav.

Nyc subway train arrives, doors open, announcement of direction, doors close, train departs. I stood on the platform at the montrose l station with a sony minidisc and recorded the entire process of a nyc subway train coming and going. Low noise, though you may wish to use a high-pass filter as there is so much bass in the material.

This is a foghorn-like sound that i created using an accidentally recorded poot from a friend. I stretched the sound bite a few times while lowering the pitch, added a couple different reverb effects, and then finished it with some parametric eq, raising the bass, and using a low pass filter to cut out the high frequencies. If you would like the original poot sound, i have also uploaded it as fart sound 1.

A half second (0. 54ish) 8bit sound effect made with pico-8. Sounds like an arcade missile launch or a big jump. Could also be a space invader ship being killed, but not epic enough for player defeat. . . No rights reserved. Notes to help me keep track: jerimee richir pico-8 2017 sfx3. Wav.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

My first ever field sound recording, made with diy mic and sony mz-n707 md, sp mode, mic gain set to "low". Tommorow will make some more :). Gilera runner sp50, 50 ccm 2-stroke scooter, with removed factory speed-limiters (some of them are in the exhaust). Mic was positioned maybe and inch above exhaust. At the begining automatic choke is engaged, hence the high idle revs. .

Friend núk (นุก) read name of level 1 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 3 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 4 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Friend núk (นุก) read name of level 5 in game đôn hổ and use audacity for echo. 2020. 12. 28 ≈13:00. Use audacity:• effect→change speed…-16%. • effect→echo. . . Delay time (seconds): (0. 05)decay factor: 0. 5. • effect→reverb. . . Room size: 100%pre-delay: 27 msreverberence: 28%damping: 30%tone low: 100%tone high: 100%wet gain: 0 dbdry gain: 0 dbstereo width: 100%.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero and fix its speed:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only. - effect→change tempo. . . Percent change: 60. 000.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

The mechanical noise and signature "chord" associated with the "mac mini (2010 model)" upon startup/boot. Brief mechanical motor and clicking noises followed by the famed sustained f sharp major chord (detuned 30 cents flat) being projected over low quality, built-in speakers. Mechanical noise has defined pitch and is predominantly in the mid-high frequencies. Recorded on zoom h2n, in small, empty room. Audio clip normalized in post-processing.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.

Automated/computer controlled plasma cutting torch. Re-processed from open source wikipedia video courtesy of metaveld wijchen bv. Noise reduced, dynamics compressed and high/low frequencies resynthesized. I'm not that big a stickler about receiving credit for the use of my sounds on freesound. As a courtesy, i appreciate it but i do ask people to always credit freesound. Org and if their project ever sees any kind of profit to please consider making a donation to the website. It's a great resource and deserves our support. Good luck with your project.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

A hot summers day in the deep swedish forest. Recorded with zoom h5 with two dpa 4060 mounted in a ab stereo fashion. Birds chatting and bugs flying by is major elements in this field recording. Decided not to remove to much of the bugs in post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Hope you like it.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

The sound of the bottom of a ceramic mug, dragged over the metal grating of a coffee machine. It sounds like a sword drawn from a scabbard. Recorded using a zoom h6 in the kitchen. Applied a filter to remove unwanted low and very high frequencies. Also corrected the volume level to adjust all four recordings to the exact same level. There are some minor distracting noises - i assume from my shirt while moving the mug over the surface. Also a fan is very faintly audible in the background. If you are interested in a very clean recording of this sound, please let me know.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

A short recording of construction work on a ten-storey apartment building in the blackhorse road area of walthamstow, london. General construction noises. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.

Note: the high-pitched squeaks are artifacts from freesound's preview and aren't present in the actual recording. 10 minutes of a thunderstorm, recorded september 7th, 2019 from my apartment window in seattle. This is the raw recording straight from my zoom h5. Levels were kept low to minimize the chance of clipping. A few thunder sounds were still too loud, but luckily the h5 has a backup function that recorded an identical track 12 db quieter. I've uploaded that as well, so you can splice the two together to taste. Eventually i'll release a processed version with the two combined, plus compression and eq, but i wanted to upload the source material in case you'd prefer to diy it.

Production step :this sound is from a sound recording of a key hiting an iron bar. I take just one sound from my reccording and copy/paste in a new track. I amplify the sound and do a low pass filter. I copy paste my track and create another one just above. I move this new track for create a gap between the two tracks. On the second track i supress some of the beat for create a rythm. On the second track i change the pitch, for making a sound more high-pitched. Description :this sound looks like the ring of a bell tower. The rythm change every two bars who makes him unique and not settled. This sound is, for me, a reference of the track begining of dark techno music. Typologie de schaeffer :. Masse: nodaltimbre harmonique: eclatantgrain: résonnanceallure: mécaniquedynamique: rondeprofil mélodique: ascendant puis descendantprofil de masse: dilatation.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Underwater [loop] amb. Update: i have decided to release this sfx for free, public domain. Enjoy! :). Please like and share!. A loop-able ambiance of being submerged in water for your underwater needs. This one was particularly difficult to process as i had to layer many scuba diving sounds in one order to get this effect. Only after crushing many frequencies via eq, is when it gets this deep. Get it? deep like an ocean? no? okay i swim away now. . . Enjoy =). - noise reduction- high pass at 30khz- artifact removal- noise removal- bass enhancement- low pass- layering- stereo imaging- stereo widening. Details:. - gopro hero 4- 48khz- 24bit- wav. Crediting: optional. Dcsfx: https://www. Freesound. Org/people/dcsfx/.

Hail comes inthis was a strange storm. Tons of lightning, but only distant thunder. The rain was nearly falling vertically. Audio description: may 20, 2014. Hail comes in and pounds a deck outside for about a minute or so, then fades and raindrops themselves take prominence. The wind picks up, so you can hear wind chimes going at it and some deep rolling thunder far in the background. If you’ve experienced high winds before, it will probably sound scary to you at volume. Recorded with a tascam dr-05 with a dead cat and no low cut. I got the mics as close to an open window as i could without being ridiculous. Cropped and faded in and out in audacity. No other modifications, so you’ll have to normalize it and equalize to your liking. Might be useful as a “heavy rain” sound, since the hail kind of sounds like that anyway.

A hot summer afternoon in the swedish forest/mountains. Recorded with zoom h5 (xy) outside the cabin i rented. Recording mostly consists of birds and general life from people moving/talking as they arrive to their cabins with family. Its intended to represent a peaceful vibe with some human presence. I decided to not remove much movement/actions from the people such post because i felt it might suck out the soul of the recording. In post: in pro tools i removed some low rumble, and and trimmed the highs just a little bit. Added a "pro expander" to lower some noise, both generated by the h5 and the location. Ps. I have a version with 2 dpa 4060 in a ab stereo fashion of the same recording, abit noisy but its on my profile if you want to listen. Hope you like it.

This sound was recorded via the use of a behringer b2 microphone, fostex fr2 and a home made parabolic reflector made from a tv satellite dish. The source of the sound was between 100m-200m away from the microphone. This has been eq'ed with high-end shelving to reduce gain noise, low-end shelved up to 1khz (to reduce wind and background noise) and the overall gain has been increased. The bird sound on the recording, is a bird called a "nightjar" which is a nocturnal bird. If you are interested in the build of the reflector itself, i have documented it here: https://www. Youtube. Com/watch?v=jyssecw1qf0. This sound is also available to listen to on my soundcloud: https://soundcloud. Com/jonmacmusicproduction. If you use my sound in any productions could you please put a link to my free sound, sound cloud or youtube channel so it can reach others!. Thanks for listening and downloading.

**warning**: do not play this sound with full volume on speakers with an amplifier; you risk damaging the driver through exertion. Format: wav - 24 bit, 44. 1khz [mono] - loopabledescription:a 30 second long pure sine wave of 14hz, at a constant spl level of -5 decibels. The audio file is loopable with a coherent crossing point from end to beginning. If you would like to read up on the infrasound phenomenon go here:http://goo. Gl/gmbsvm. Methodology:synthesis generation in sound forge pro macosx. -------------. This can be used for experimental purposes. I used infrasound in a horror film; attempting to create a physical sense of terror with the motion picture at specific times. It is believed by some that a high enough amplitude of infrasound can be used as a weapon. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this sound is licenced under cc0 [public domain] - so you are free to use and abuse it. I wouldn't mind a credit though if you're feeling generous. . .

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

What i hear in this sound is a crashing starship as you regain consciousness surrounded by chaos of the crew and emergency systems. At 00:52 there's a really cool explosion hit that fits the starship in danger vibe. Created from roughly 230 sounds in reaper by looping, batch actions and modulated filtering. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav116395__dean-raul-diarchangeli__tv-static. Wav120107__toc1__bird-wings. Aiff132843__cactus2003__creepy-ambience-background. Wav135506__chriddof__heavenly-computer. Wav138156__triad__hair-clippers-2. Wav14102__adcbicycle__15. Wav145094__crashoverride61088__whoosh-and-vacuum. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac152455__dayvonjersen__long-sweep. Wav153277__gerardcatala__beating-wings-of-a-pigeon. Wav155800__mario1298__elevator-the-sixth-floor. Wav162493__tasmanianpower__vinyl-rewind. Wav165486__venaportae__wild-bees. Wav170761__esperar__bees. Mp3174278__voluntaryzonkey__horror-film-beep-sound. Mp3174718__paespedro__single-water-drop. Wav178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac187373__shapeshifterd__wee. Wav188197__splicesound__tv-television-on-off. Wav188388__wubitog__mid-high-tone-button-click. Wav192155__hitrison__picking-at-a-giant-fan. Flac194304__jmbphilmes__factory-machine-01. Wav19433__heigh-hoo__drumroll. Aiff195260__kayceemixer__fx-drone-kc-low-tone-mech-drone-pulse-tlspc-02. Wav198818__yuval__butterfly-wings. Wav202876__augustsandberg__african-savanna-2. Wav204725__dneproman__trailer-end-4. Wav211870__tubbers__airplane-flyover. Mp3234524__foolboymedia__notification-up-1. Wav235845__hermengarde__cartoon-spin. Mp3238251__steaq__dark-ambient-backgrounding-001. Wav240134__richerlandtv__factory-atmosphere. Mp3240476__godowan__wings. Wav242048__turrus__lightning-strike. Wav243011__tom-woysky__bees-in-hive-beehive. Wav243728__jarredgibb__drone-010. Wav244980__ani-music__wing-flap-flag-flapping-7a. Wav245381__davidthegreat14__film-score. Mp324795__reinsamba__scissors1. Wav248021__sophiehall3535__rusty-creak. Wav248121__wjoojoo__lightning. Flac249707__brunoboselli__paddles-rowing-on-a-calm-water-stream. Wav253567__schafferdavid__cartoon-4. Wav253638__wolfey1923__scuttling-across-wood-floor-w-reverb. Wav255883__dontgothere__funny-cartoon-robot. Wav259706__davidbain__fm-radio-tuning-sweep. Wav262755__bigpickle51__stereo-jet-landing-sample-2. Wav263892__jarredgibb__sub-rush-1. Wav263967__scotcampbell__funny-evil-cartoon-voice-with-laugh. Wav264442__geerose__harmonium-drone2. Flac264593__vacuumfan7072__cheap-tv-static. Mp3267584__schafferdavid__cartoon-8. Wav26785__walter-odington__hair-dressers-vision-london. Wav267899__chemicatz__air-rush. Wav269003__lwdickens__water-splash-2. Wav271531__rodincoil__disembarking-riverboat-crowd. Wav272037__aldenroth2__sipping-coffee. Wav277279__thiagoassis82terror__metal-gate. Wav277606__limitsnap-creations__phantom-train-lost-in-tunnel. Wav315768__benjaminharveydesign__dragon-growl-sad. Aiff315941__benjaminharveydesign__intercom-in. Aiff316744__bird-man__big-splash. Wav321905__bruce965__walkie-talkie-transmission-start. Flac329033__humanoide9000__coin-rolling-1. Wav330638__leonelmail__cloth-flapping-on-a-clothesline-thickly. Mp3330639__leonelmail__cloth-flapping-on-a-clothesline-gently. Mp3330644__devlab__rain-thunder-02. Wav331134__maurolupo__rolling-coin. Wav332711__amicasys__glitch. Wav334980__paulocorona__office-ambient-sound. Wav335727__rolar-dnb__a-rain-thunder-lightning-close-cars-sirens-loop. Wav335889__yoyodaman234__wind-through-trees. Mp3337813__blukotek__hammer-v4. Wav341612__pureaudioninja__electricity-4. Wav341666__sharesynth__electricity00. Wav345846__pcwvdmark__inside-a-traditional-dutch-windmill-2. Wav349693__drmaysta__cartoon-arrow-hit. Wav350960__nycct-sounddesign__printer-ja. Wav353416__squashy555__seagull-on-beach. Mp3353849__dtmp__alien-voice. Aiff353878__oldpueblo__beach-assorted-scenes-including-college-students-organizing-a-game-chattering. Flac353976__tec-studio__drone. Wav360775__dnlburnett__ambience-urban-park-evening-windy-trees. Wav369859__splicesound__digital-computer-blips-and-pops. Wav369910__germanio__mug-hit. Wav371290__mlppeace__foghorn. Mp3371603__jacksonmiller0__odd-glitch. Wav372181__amholma__ocean-noise-surf. Wav376708__fthgurdy__crinkling-dried-flowers. Wav377329__mystikuum__water-drops. Wav37732__longhairman__1khz-1ds-peep. Wav380124__mia28portman__eagle. Ogg380397__avantdebris__botanical-gardens. Wav380730__semenov-nick__00-car-across. Wav382444__omarie__waiting-4. Mp3382944__alancat__deepbreakers1a. Mp3382948__prim-ordial__blips-and-bloops. Wav383654__deleted-user-7146007__electricity. Wav386706__tommy-mooney__wings-flapping. Wav387551__stair__sweep. Wav387904__bajko__sfx-water-drops. Wav389633__stubb__wing-flap-2 (1). Wav389633__stubb__wing-flap-2. Wav389634__stubb__wing-flap-1 (1). Wav389634__stubb__wing-flap-1. Wav394673__ihitokage__scary-old-rusty-gate-squeaking. Ogg395242__digpro120__wings-flapping. Mp3396678__dbspin__quiet-berlin-cafe-1. Wav397082__relwin__digitalradio-noise1. Wav398274__flashtrauma__electricity. Wav402781__funwithsound__butterfly-wings-fluttering-1. Wav403934__mastermind76__car-indicator-toyota-aygo. Wav406924__kyles__botanical-gardens-park-tropical-jungle-birds-crickets-flies-open-air-tone-entebbe-uganda-africa-2016. Wav408592__miguelab1998__2-beating-of-wings. Wav411651__evanjones4__film-for-a-music. Wav412025__zachrau__typing-message-on-a-mobile-phone. Wav412145__stefan021__film-projector-long-run-with-finish. Wav412429__florianreichelt__mysterious-accoustic-guitar-film-sound. Wav414671__zouzmusic__short-pigeon-wing-flap. Wav414818__bokal__office-chair-rolling. Mp3416873__simonlabelle__delicate-horse. Wav420728__claypipe__realitycoming. Mp3425090__neospica__pressurized-door-opening. Wav425787__thatkellytrna__wrinkle-bag. Wav427822__asaphelps__filmsocialisme. Mp3432291__schmaddio__rusty-spring. Wav432817__harlemdaw__happy-tune. Mp3433584__jackmurrayofficial__car-starting-and-accelerating. Wav433977__joedozer__rusty-fan. Wav435082__piwikiwi__film-tape. Wav437968__craigsmith__g12-35a-eagle-cries. Wav438620__craigsmith__g39-03-cartoon-boings. Wav441622__danielajq__6-2-aleteo. Wav441966__detringer__glitch-1. Wav442773__qubodup__big-water-splash. Wav443061__schoggimousse__water-cave. Wav445048__bassboybg__touchscreen-keyboard. Wav445958__breviceps__cartoon-bat-mouse-squeak. Wav445960__breviceps__cartoon-duck-quack. Wav446930__sofial1224__20-suspiro-consolidated. Wav447458__florianreichelt__paper-money-sound. Wav448375__audionauten__robot-moves-his-arm. Wav448621__neilsher__ambient-creepy-soundscape. Mp3450042__kyles__phone-telephone-ring-office-nice-iconic-close-to-speaker. Wav452795__cloe-king__sweeping-on-carpet. Wav452931__kyles__crowd-int-crowded-small-theater-lobby-ifc1-nyc-usa. Flac454259__kyles__tv-channel-change-static-blips-scanner-cb-radio-tuning-static-blips-static-sharp-scanner-cb-radio-blips-on-off-good2. Flac455309__free-rush__empty-coffee-machine. Wav455385__thomasomas__recharge-sound. Wav456246__tc630__terminal-velosity. Flac456761__sieuamthanh__ai-bang-con. Wav457043__breviceps__busy-room-ambience-small-crowd-people-talking-in-background. Wav457438__samwd__flourescent-light. Wav458461__prometheus888__carengine. Wav458627__tetrisrocker__clock. Wav458711__fabrizio84__waterfall. Mp3459409__pfannkuchn__small-river-1-slow-close. Wav459573__dougbarrett123__cafe-recording-take-1-zoom0047-lr. Wav459983__florianreichelt__rain-water-dripping-softly. Mp3462462__soojay__seagulls-gaviotas-clean-wildtrack. Wav462889__mycompasstv__frogs-croaking-crickets-at-night-in-jungle-swamp-africa. Mp3462958__bastianhallo__cartoon-jump. Wav462959__lizapenelope__cafe-sounds. M4a464496__kaygrum__river. Wav468164__wintuh__36-corriendomadera. Wav468240__cristian-vogel__bees-around-flowers. Aiff477643__richwise__foggy-morning-at-weston-shore. Wav478306__magmi-soundtracks__creepy-classical-music-01. Wav479050__nuncaconoci__rusty-hatch. Wav484157__tempermode__fluorescent-light-flickering-1. Wav489999__deleted-user-8803593__elevator-music. Wav492378__nicknamelarry__spaceship-take-off-sound-effect. Wav494497__pianofarm__farm-summer-ambience-07-09-2019. M4a495656__aunrea__dog-whimper-1. Wav495711__tosha73__strange-digital-noise-003. Wav495712__tosha73__strange-digital-noise-002. Wav495713__tosha73__strange-digital-noise-001. Wav495795__priesjensen__car-driving-ambience. Wav500146__phonoflora__foghorn. Wav502657__justfornoise__old-film-projector. M4a502680__fission9__train-station-3. Wav503815__neezen__sweep. Wav506157__sifujordan__big-splash. Wav507081__paulprit__einarrson-fast-retrieve. Wav507088__paulprit__einarrson-slow-retrieve. Wav507471__danjocross__long-distant-foghorn. Aiff507472__danjocross__great-echoing-foghorn. Aiff509440__claudiachaveslopes__teclado-sms. M4a510917__lydmakeren__seagulls-short. Wav511485__mattleschuck__cartoon-wink-magic-sparkle. Wav514234__nicknamelarry__sound-effect-flight. Wav514486__whammy__office-stamp. Wav515164__stuntstudio__1920s-style-cartoon-motif. Wav515293__breviceps__propeller-plane. Wav516928__mariethompson__waterfall4. Mp3518037__rvgerxini__fan-motor. Mp3521967__kastenfrosch__megaphone-radio-gibberish-4. Ogg523016__tripjazz__lightning-discharge. Wav523399__cyoung510__waves-lapping. Wav524205__dylanh-sound__radio-sign-off. Wav524934__mc5__electrical-noise. Wav52780__guitarguy1985__data. Wav527845__d-jones__elephant-trumpets-growls. Flac529031__szegvari__storm-cave-reverb-fantasy-field-recording-200726-0021-01-01. Wav530078__snail-legs__flapping. Ogg531482__nataliabm09__oven. Wav533146__mattfinarelli__drop-water. Mp3535211__anaponce__typing. M4a541506__se2001__cartoon-quick-zip. Wav541606__d4xx__stir-mug. Wav541664__mamie-wilhelm__mamie-gibberish-2. M4a541796__zoshp__telephone-ringing-digital. Wav543111__clusman__bird-flapping-5. Wav544260__walthamstow-walker__a-bit-like-a-film-projector. Wav545611__bandslam33__wings-03. Wav545613__bandslam33__wings-04. Wav547016__neopolitansixth__classic-computing-sound. Wav551748__jpbillingsleyjr__finger-banging. Aiff65428__gumballrimpoche__glitchys. Wav69570__bidone__lion-loud. Mp382610__indigosierra__scribble. Mp385568__joelaudio__dragon-roar. Wav87785__graygaffer__ferry. Wav91555__polymorpheva__inside-tangara-syd. Mp391919__filipe-chagas__water-lapping-rocky-beach-ambiance. Wav93337__polymorpheva__cicadas-rbg. Wav.